Movin' On Up: Why I Haven't Been (and Won't Be) Updating This Blog

UPDATE: All my stuff -- including the podcast -- is now at GenreVision. Go there for all the fun!

I started this blog for one reason: I have an insatiable urge to write about movies. In a perfect world, I'd be able to sustain myself by doing just that. The world isn't perfect, but it has gotten a little easier to tolerate over the past year.

Since last September, I've become a regular contributor over at CHUD.com, and that has been a dream come true. It's a movie site that I've been reading for over ten years, and now I've become a significant member of its crew. I've been doing my best to make the site the kind of place I'd want to read regarding movie news, editorials, op-eds, and columns. We now have a sizable team of writers over at CHUD, and we're in the process of doing some really special stuff that will be coming over the horizon shortly.

I'll also be starting my first freelance review gig for my local paper The News-Press doing play reviews. That gig will start in about a month, and I'm unbelievably excited about it.

And, as you few readers may know, I do a weekly podcast called The Drew Reviews Podcast. While there have been new episodes, I haven't had the time or the memory to post them here due to my other duties.

Add to all this a regular job that I work at for 40 hours a week and you can see how crazy my life can be.

So, as of now, I won't be updating this blog. All the stuff I would be writing on here (movie reviews, op-eds, columns) will be at CHUD, so follow that link above to check that stuff out as well as other great writings from other talented contributors. As far as the podcast goes, the best way to stay updated with it is to subscribe to it. You can do that via SoundCloud or iTunes, and also by following us on Twitter @thedrewreviews.

For anyone who has read this blog, I want to thank you immensely. It's helped me get one step closer to actually fulfilling what I want out of life, and that's all one can really hope for in this less than perfect world.

The Drew Reviews Podcast - Episode 44: Cuckoo For Criterion - THE NIGHT OF THE HUNTER

Drew and Nick lean on the everlasting arm of one of America's greatest films, THE NIGHT OF THE HUNTER.

Currently Consuming topics: 7 DAYS IN HELL and the Batman: Arkham games.
 

MOVIE REVIEW: PIXELS Could Be Good, But It's Not

I was expecting nothing but the worst from Pixels. Having stayed away from any Adam Sandler movie since Funny People (you can read about my feelings towards that movie and Sandler's career here), I braced myself for what had to be one of the worst movie-going experiences in recent memory. Imagine my surprise when Pixels didn't turn out to be a cinematic abomination, but rather a run-of-the-mill slice of big budget boredom. It's always nice when a film exceeds your expectations.

The Drew Reviews Podcast - Episode 43: Cuckoo For Criterion - THE WAGES OF FEAR

Drew and Nick accept a dangerous mission to traverse the 1953 suspense classic, THE WAGES OF FEAR.

Currently Consuming topics: MARRIED and the SUICIDE SQUAD trailer
 

MOVIE REVIEW: ANT-MAN is Small but Servicable

A lot of people are going to remark on the scaled back nature of Ant-Man. The movie feels small and is aware of that. It's purposefully reducing its stakes and scope in order to accommodate its shrinking protagonist, and that mostly works. What hinders Ant-Man isn't its sense of smallness, but that it feels slight in its construction. For such a wacky concept, the movie feels incredibly by-the-numbers and lacking any real distinct flavor in regards to its presentation.

There's hints of a more bizarre movie oozing through the cracks of the film, but they are all mostly downplayed by director Peyton Reed. The climactic journey to a subatomic microverse feels like it should reach new levels of comic book weirdness on film, but it amounts to nothing more than some fractal imagery and a short and uneventful stay in what is essentially another dimension. The majority of the shrinking segments, though expertly rendered by thankless CG artists, feel almost too grounded in an attempt to avoid alienating audiences. It doesn't feel like the filmmakers took full advantage of their superhero's ability (until the end, which I'll get to).

It doesn't help that the movie's pacing is both slow-going and boringly familiar. Though this does help a lot with the characters, it makes the movie feel like it's skittish about itself. Thankfully, the characters in this movie make up for its sluggishness Paul Rudd is a natural leading man and his charm and softness work wonders for Scott Lang. Though Michael Douglas is mostly relegated to exposition, techno-babble, and basic mentoring, the times that he gets to give Hank Pym some depth work really well. Evangeline Lilly is underutilized as Pym's daughter, Hope, but she her time is spent showing she can be as tough as any Avenger. And Corey Stoll very nearly steals the show as Darren Cross/Yellowjacket. Stoll is going full-on eeeevil in this and it's a hoot. Between him and Ultron, it looks like Marvel might be starting to figure out how to handle their villains.

What surprised me the most about Ant-Man was the comedy element of the film. Not that I was surprised that it was a comedy, but how light and unremarkable most of the comedy was. Ant-Man certainly isn't lacking in laughs, but there wasn't a single joke or bit in the film that was worth an enormous response. Considering that Paul Rudd and Adam McKay have screenwriting credits, I was shocked that the movie wasn't the funniest Marvel movie yet.

However, one arena where Ant-Man delivers is in the final act. For all of its faults, the showdown between Ant-Man and Yellowjacket is a blast. This is where the movie really takes advantage of its concept well, using shrinking (and enlarging) to both comedic and engaging effect. If the heist portion of the film was infused with the same energy and inventiveness, Ant-Man would have been a knockout.

It sounds like I really disliked Ant-Man, but I didn't. It's an ever-dreaded "okay." There's nothing offensively bad or poorly executed about the film. but it feels like its been sanitized in order to broaden its appeal. The idea of shrinking is a wildly fantastic one, and Ant-Man doesn't embrace that goofiness as emphatically as it should.

Ant-Man is a minor Marvel movie (I'd be shocked if it gets a sequel) that does its job but leaves you wanting a lot more. It makes me anxious about Marvel dipping into its more out there characters like Doctor Strange. One of the reasons Guardians of the Galaxy worked was because the person at the helm, James Gunn, was able to balance his workman abilities with his innate craziness. If Marvel wants to play with riskier characters and worlds, they need to be willing to let some riskier visions into their cinematic universe. Ant-Man is proof of that.

The Drew Reviews Podcast - Episode 42: Cuckoo For Criterion - LE SAMOURAI

Drew and Nick accept a contract to watch one of the best hitman movies ever, LE SAMOURAI.

Currently Consuming topics: INVASION OFTHE BODY SNATCHERS and BLOW OUT.

The Drew Reviews Podcast - Episode 41: Cuckoo for Criterion - THE BANK DICK

Drew and Nick get soused this week with the W.C. Fields comedy classic, THE BANK DICK. Currently Consuming topics: DOPE and TERMINATOR GENISYS